ANOTHER INVESTIGATION INTO THE CRIMINAL THEFT, TERRORISM & VANDALISM OF THE HUMAN MIND by Fritz Springmeier 

Universal Studios has produced a new thriller named “K-PAX” which has recently arrived at video stores.

K-PAX? Now, you scrabble players may be familiar with “Kapok”, which is a fruit fiber used to fill pillows and life preservers, but you may ask, “What is K-PAX?” Well, this movie is not about fruit fiber, but rather a fruit-loving alien whose story provides a copious presentation of mind-control triggers designed for the criminal elite’s millions of secret slaves under total mind control. You could go so far as to say K-PAX is Kaopectate for the worried minds of all their slaves who have alien programming and feel unsettled that their programming is pure crap. How? The movie does an excellent professional job of blurring reality and fiction and convincing the audience that people who think they are aliens (due to their secret mind-control) are just that, genuine aliens, no matter how many negative labels the psychiatric community might arrive at. To give you a premature summation, this movie is special because it provides the World Order’s slaves, who are questioning their own programming a great cover program to permit them to deal with the outside world and their own doubts and fears.

You, the viewer, get two spellbinding activities packed into one moment. It was thoughtful of Universal to entertain an already over entertained world, while simultaneously reinforcing the mind-control of an already over controlled world. People, save time, be entertained and be programmed at the same time. But let’s not get ahead of ourselves here. In fact, if the reader of this investigation doesn’t want me to lose them, he or she really needs to have read my books exposing the mind-control. If you haven’t done that, then just be aware that things this article states will not make as much sense.

K-PAX centers around a self-proclaimed alien named “Prot” (pronounced with a long o-like in goat) played by a very dissociative Kevin Spacey (yes—that’s the actual name of this actor). K-PAX likes to leave the viewer somewhat in suspense about what or who Prot really is, but manages to convince the viewer throughout that Prot most likely is a genuine alien, in spite of all the evidence to any person knowledgeable about DID that Prot is really a programmed multiple personality. The movie begins with a stranger who appears out of nowhere with no I.D. Lights bother this light-sensitive person so he prefers to wear sunglasses. This stranger identifies himself as an alien but looks like a normal person, except that during the entire movie he acts extremely dissociative. Drugs don’t affect this person like a normal person. He uses alien symbols. He acts psychotic. On various occasions, he acts like he is unfamiliar with the outside world’s ways, although this is not consistently so, because sometimes he seems to understand things just fine. His behavior is inconsistent, while he tells us that he has been around for hundreds of years on earth (longer than you or I), this alleged K-Pakian acts lost and surprised in copious situations. Although he tells us that he has been on earth hundreds of years and has visited our planet often (as well as visiting many others), he is inconsistent in understanding obvious social boundaries. What I am getting at is that an experienced traveler knows how to respect the customs of where he is at. And on top of this, Prot, the alien, states that people on his planet are very considerate of each other, and yet he breaks social boundaries; for instance, when eating most of a large bowl of mixed fruit at a picnic, which he hogs down. This alien turns out to have a trauma memory, which is discovered by “Dr. Powell” (played by Lloyd Bridges’ 50 year old son Jeff Bridges, who in real life began his acting career at age 8). The “alien” has a flashback and an abreaction on the Fourth of July. In the end of the movie, we learn that two persons, Prot and Robert Porter have both inhabited the same body. During several hypnosis sessions, our K-Paxian alien switches into several boy alters, including a small boy and an older boy. (In fact, it appears that actual boy alters of the actor Spacey were used in these scenes! If you haven’t seen alters of a multiple before, then this would be your chance.) When Prot is shown a photo of his body in the high school yearbook, he shows no reaction or sense of recognition. But asks the therapist to take care of Robert Porter (the name of the body) when he is gone. Now readers of my books on mind-control will know exactly what they are looking at by the description this paragraph just gave of Prot. These are the standard features of a programmed multiple personality. Interestingly, the shrink’s son describes Prot, “He looks like Data from Star Trek.” Data is a persona who is used in alter creation in the mind-control using Star Trek programming. This programming and Data are described in my books on mind-control.

There are numerous other identifying features of Prot, which show that the movie was meant to portray someone with trauma-based “alien programming”. The sadistic proud programmers don’t expect the general public to understand what they are seeing in the movie. This is the kind of total mind-control programming I have exposed with three detailed books. In fact, the psychiatrist Dr. Powell gives a description of Prot, which is the programming goal of the movie. He says, “He’s very convincing, of course he’s human, he’s the most convincing delusional I’ve met.” On the one hand Prot appears to simply be a very convincing delusional, but the movie goes all out to convince the viewer that the delusion (in spite of its questionable aspects) is after all reality. Generally, the mind-control story lines are made so real to the mind-control victim that these programmer-induced realities seem more real than reality itself. The net effect of the movie K-PAX is to convince programmed alters of MPD systems (alters who are by the way programmed with alien programming similar to the movie), that they really are aliens, no matter how sure a group of psychiatrists may be to the contrary.

The more the therapist protests that the person is merely a very convincing delusional psychotic; the less believable the therapist seems to the victim of mind-control. The one scene in K-PAX was so typical of encounters this author has had when working with programmed alters. In this scene, the therapist asks Prot to admit that that he is a human. He responds that that is patently absurd. Prot says he will admit that he might be Robert Porter, if the doctor will admit that Prot could be from K-PAX.

In fact, many of the standard mind-control programs, which are subtly interwoven into the fabric of the movie, were described in detail by my books on the Illuminati’s mind-control. Many of the programming strategies in the movie can be found in dozens of other movies, for instance, the disappearance of a person into a mirror (often portrayed as a person disappearing into a glassy surface of water). The programming in one scene is especially obvious. Let’s use this as an example. The shrink’s daughter swings, and that is all that most moviegoers will see. However, readers of my books may catch all the intricate programming details. The scene opens with a close-up of her ruby slippers, and then shows her swinging back and forth (like a spin), and then the camera jumps behind a glass so that she becomes a dissociative blur. And then the camera shows her with large red and blue balls, which look like red and blue pills in the background. The girl is out of character with the rest of the kids in the family, with her dress, bow in hair, and ruby slippers. She is in these clothes because this is standard Wizard of Oz programming. The swing substitutes for the tornado spin, which leads to dissociation and the dissociative spin takes the mind-control victim into “never never land” which is depicted by the blurred scene shown through the glass. Finally the blue & red pills are the same mind control choices as seen in another mind-control film the Matrix. Once the viewer is aware of the significance of these things, he or she can understand that these out-of-place items are important and are not occurring randomly in the movie. Because most people won’t see these as important clues, and don’t know what they mean, they most likely won’t even notice them.

Many of Hollywood’s movies have subtle inside jokes, say for instance, an actor with a small part may play a role with his original name that he had changed prior to acting. The inside joke in K-PAX is that Prot asks a mental patient to watch for the Blue Bird, which is the first step to cure him. Blue Bird was the original code name for Monarch and MK Ultra mind-control programming. (For another reference on this, see John Marks’ book The Search for the “Manchurian Candidate: The CIA and Mind Control, NY: W.W. Norton & Co., pp. 24-32.) It is known that under the BLUEBIRD programming Japanese and Koreans were subjected to mind control in 1950. CIA documents were released saying that suspected double agents and POWs were the victims. The documents released from this time period state that the programming was for “controlling an individual to the point where he will do our bidding against his will and even against such fundamental laws of nature as self-preservation.”

Because of the nature of Blue Bird’s programming, the CIA was careful to characterize it as being done to Japs and Koreans. It would have upset Americans to learn that it was carried out with equal vigor on vulnerable Americans.

There are countless parallels between the Illuminati’s total trauma-based mind control and what is portrayed in K-PAX. I will list some of them for you in case you watch the movie or want to be able to spot the clues for yourself.

SUNGLASSES—Mind controlled slaves are in trance, especially the alters which think they are aliens (these tend to be deeper alters in a system and deeper also in trance). The pupils of these alters are dilated and they don’t like the sun light. Prot dislikes the sunlight and likes to wear sunglasses.

PSYCHIATRIC INSTITUTE OF MANHATTAN—This is actually the type of place where mind control programming is carried out. Isn’t that brash that they actually use this Institute as the setting for the movie. That ought to give any slave programmed there the chills. Prot does a play on words to describe the place “hospitable” and “hospital”, although the word “hospitable” is a reversal from how the doctors treat him. The programmers love word games like this, especially this kind where good and bad are confused.

DOUBLE IMAGES OF HEADS IN MIRROR LIKE GLASS—Double images and mirror effects are common within the programming.

300 MG. OF THORAZINE—Thorazine is a popular brand name of CPZ (Chlorpromazine), which is a popular antipsychotic drug. In fact it is considered the all around best phenothiazine. It is normal to use this drug on psychotics and schizophrenia, as well as other disorders such as anxiety. It’s an established tranquilizer. The use of this drug on Prot would be a standard procedure for shrinks who are trying to gain control of patient. While it is common to start doses in low dosages, it is not rare for patients to receive 5,000 MG of Thorazine from doctors in a day’s time. 300 mg. is often used as a maintenance level for outpatients after they have gone through a gradual withdrawal from high dosages. The movie’s scene with a meeting of doctors all getting excited about 300 mg. not doing anything, and then the head doctor saying that sometimes Thorazine doesn’t work, is merely for the viewer’s consumption. The shrinks would be more familiar with drugs than the conversation implies, since they use them on people everyday. What is significant about this, is that bodies with multiple personalities often do not respond to drugs, because one of the personalities can take the effect of the drug, and the personality holding the body continues as if nothing happened. Another sign that this movie is disinformation is that not one of these professionals at this meeting suggest that the drug’s poor effect on Prot might be due to dissociation and DID (multiple personality disorder). Believe me, dissociation disorders are far more common that the shrinks want the public to realize, since many of them are dirty and cooperating in the programming. It is certainly a common enough phenomena that it would merit consideration. Further, let me point out that at no time, does Prot claim that his alien race has altered the human body, but in fact Prot admits at the end that the body belongs to the human Robert Porter. A normal person is going to react to CPZ, usually in the standard way, occasionally with some adverse reaction. But a multiple is not going to.

TACYON SPEEDS OF LIGHT—There are actually mind-controlled slaves who have been programmed with the words “Tacyon speeds”. In other words, this fictional speed is actually wording from the mind-control. In addition to this, the words Prot uses to describe coming to earth is exactly how the alters are programmed to think. Alters that live internally in the mind are placed on planets (within the mind) and when electro-shock is applied to the body, the mind sees a blinding flash of light, which is part of the trigger signal for the alien alter to come out. The concept of placing seven moons orbiting around a planet, and 64 planets in a galaxy internally is in line with how it is done in programming. In other words, Prot is describing to a “t” the way an internal system for the mind-control would be built and would be perceived by an alter. A 64 configuration could be used in an 8X8 alter configuration, or it could be used in a 5X13 configuration, with one alter left hidden.

CLOSE-UP OF ICE IN GLASS. This is a standard feature of mind-control and appears in many films concerned with programming. It pertains to breaking glass and cold.

MEMORIES OF SEXUAL TORTURE. When Prot is asked about sexual memories, he describes sex as nausea, nuts in a vice, being kicked in the stomach, and falling into something worse smelling that skunk smell. This is indeed what the trauma memories of these mind-control victims of programming are like. Prot is not describing alien sex—he is actually describing the sadistic sex of the programmers, who use “sex” as another horrible trauma. I have worked with victims of Illuminati mind-control who thought their programmers were aliens. While these victims would say that their programmers were enlightened aliens from a race far in advance of humans, they would describe to me sexual traumas that these “aliens” perpetrated upon their bodies.

HOME IS DARK, WITHOUT PARENTS. An alter is not born like a normal person, so he is not raised by parents. An alter lives in the mind, in a dark internal world, and rarely takes the body and sees the outside world. When Prot describes his “planet” he is more accurately describing the internal world of an alter. The programmers work with the victim’s mind to hypnotically create the most beautiful internal world that the victim’s mind can imagine. In the movie K-PAX, Prot tells people that his planet is “great smelling” and that there is no pain or crime on his planet. Again we see what is portrayed matching up with the standard programming being used. The generic programming name for such a wonderful home is “Never Never Land”. Even the shrink Dr. Powell says, “K-PAX sounds like a beautiful place.”

CRYSTAL ON DESK. Another common programming device are crystals, which the camera in K-PAX zooms in on at the appropriate programming moment. There are also a number of periods during the movie when flashing spinning colored lights go off for periods of time. While this might seem to be commonly artistic, since flashing lights have become the “cool” thing to display, it pertains to total mind control, and dissociation. The flashing lights produce dissociation in a slave. Any slave watching the movie K-PAX will be dissociated, and in a mental condition ready for the next phase of events or programming.

PSYCHIATRIST WORKING WITH NASA TYPES. The mind-control programming is being conducted by a consortium of groups, and it is interesting that two of the larger groups, NASA and the SHRINKS are found collaborating in this movie as they do in real life mind-control programming. The alien writing that is shown intermittently in the movie is covered in my book, and is code that is taught to certain mind-controlled slaves who are simply told that it is “alien writing”. For instance, I visited with a mentally gifted man who as a boy was singled out of the regular public school classroom and given special accelerated schooling. What did they spend part of their time teaching this gifted child? That alien writing, which was designed using your tax dollars for NASA, so they could program our children.

MASS EXCITEMENT. The movie is set in a mental hospital. In fact one of the women that is shown early on is shown as a multiple, for she changes who she is from moment to moment. We are shown a variety of phobias and fixations within the patients. Then we watch a Blue Bird trigger a mass excitement, verging on a riot. We are conditioned by the movie to accept this kind of mass excitement as just the way people are. In reality, group mind control is also being practiced. Prot himself is used to control others. This is exactly how the mind control is used. Victims are used to control other victims. Therefore, we see Prot tell one man whom he has worked with, “Stay here and be prepared for anything.” That is a program that is given some alters, stay here and be on your toes ready to do anything we give you to do! In the end, Prot warns, “Get it right, this time is all you have.”

XYLOPHONE. Prot beats out a simple cord on the xylophone. These types of simple combinations of musical notes are used as access codes, because the programming has to be simple enough for a child’s mind when they begin programming, and many of the deeper parts never grow up but remain stunted as child alters.

4^th of JULY and an ABREACTION. The fourth of July is one of the hardest days for programmed multiples because the noises often cause abreactions, switches in personalities, and loss of control. It is interesting that they pick this day for Prot to have an abreaction. Again the movie corresponds with the reality of today’s mind control.

WATER. Water is used in the movie in several ways, which are again consistent with the use of water in programming. At one point Prot yells, “Don’t go into the water.” Small child alters which are made into robots are often programmed to stay away from water. On the other hand, the image of the surface of still water being used as a mirror is quite standard. And so we see Robert Porter (Prot’s body) go through the mirror (still water surface). Water is also used hypnotically in other ways, to wash away memories. A watery world is created for the hypnotic sessions that Prot undergoes, which mimics the isolation tanks where some of the fundamental programming is carried out.

HYPNOTIC THERAPY SESSIONS. The sessions of hypnosis that the doctor gives Prot are so consistent with how it is to work with a programmed DID (programmed multiple personality) that if you want to see how the work looks like at a therapist’s office, watch these hypnotic sessions. At one point Dr. Powell says, “I admit I am too close to him.” It is standard for therapists to remain dissociated from their clients. Prot agrees to hypnosis because he is warned, if he doesn’t, his alternative is drugs. I am familiar with people who have been arrested who received these type of threats from judges, and have been essentially forced into mind-control sessions. Prot’s first memory in his life is of a casket. This is quite consistent with the type of first memories a programmed multiple will recover. Prot describes his best friend as “barbaric” but excuses his apparently sadistic behavior. Prot’s friend “Peter” (Robert) merely needed to call out for help, and Prot came from his planet in a flash to help Robert. This is exactly what it is like for an alter. The alter exists in the mind on an internal mental planet and then in a flash takes the body. Prot took the body of his “friend”, and asks the doctor to take care of Robert when he leaves. This is behavior consistent with a multiple. Again we see realism in that the murder memory is blurry and surreal, which is what it is often like for a multiple trying to regain a memory. Kevin Spacey’s character is a vegetarian, which is a common reaction for certain alters, who have a gnawing aversion to the bloody traumas they have participated in. The programmers don’t mind that certain alters have blood aversions, because it makes it less believable to most people that the person could be associated with heinous bloody crimes. The movie K-PAX is obviously used for programming alters who include assassination alters. These alters will have been dehumanized, and so it again is consistent with the programming that Prot says, “I’m not human.”

The movie had Elton John’s song “Rocket man” and the cooperation of the New York Governor’s office to make it. There was participation from other people too. The point is that the system supported this movie being made, which is further evidence that the World Order elite who do this programming were behind the movie. I have long suspected Kevin Spacey is a multiple and this movie further convinces me of that. Jeff Bridges, the other main actor, may also be a multiple. He certainly has grown up around all this kind of programming craziness. For instance, one of his best childhood friends, when the friend was four, was taken to Thailand by his father to be initiated into the world of sex. (In Thailand, there would be no legal repercussions.) Bridges is part of CAA (Creative Artist Agency) which is one of the largest Hollywood agencies and includes multiples. K-PAX is a movie that was definitely made by the World Order.

If I were to sum up the movie, I might use the title in this fashion: K stands for Kontrol and PAX is Latin for peace. It is common among the World Order types to state that when they bring order out of chaos for us, there will be a peace. One of the ways they bring order out of chaos is when they splinter a child’s mind into many dissociative pieces and then restructure it (bring order), and this artificial structure can only manage to function if it is given programming (which brings a type of peace) to the mind. Otherwise, without the programming and the godlike programmer, the trauma memories surface, the conflicts between various alters rises, and the victim muddles up into a crazy unfunctioning fractured mind. The movie also is intended to bring a PAX (peace) to those robots who encounter skeptical professional minds. The movie will definitely protect these alters from disbelieving the lies of the alien programming. They will continue to doggedly persist in believing they are indeed an alien, and their programming will be more real to them than reality itself.

K-PAX is a good example of a movie created to assist the total trauma-based mind-control being perpetrated upon tens of thousands, even millions of people today. As such it is also a good example for our side to view to show people what the victims, the programming and therapy is like. While in real life most functioning robots will not be as dissociative as Spacey, if the programming breaks down and deeper alters come out, you will indeed see alters who are in deep trances. It is the deeper very tranced alters who often do much of the dirty work for the Illuminati, including movements of drugs and messages, torture of children being programmed, and assassinations.

While it breaks my heart to think of what is happening, at least this movie can be used to expose the very thing that it is meant to assist. There is a little violence toward the end of the movie, but in general it is rather mild. No sex, little profanity, and only a few severe violent scenes. The movie does an excellent job of blurring reality and fiction.